This thought later would be applied to the suggestion of monumentalization provided by the head of video major, sharon balaban when the project had commenced late ‘20.
Another layer of the work is in response to the aforementioned question of the material being interpreted, captured, and printed using both analog [paper] and digital [3d] methods.
In the 3d version of the print, I wanted to feel what the camera was telling me with her glitches, not hear or see necessarily, but I needed to feel something more than the image itself had to offer in its familiar form.
It was necessary for me to try and translate these images in 3d since what I was looking for, I knew, would be within the depth of the image, in and around the “unseen” form I have
been researching.